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Culture Care: Reconnecting with Beauty for Our Common Life, by Makoto Fujimura
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Review
"For Makoto Fujimura, caring deeply for souls is a way of life. Through his magnificent paintings, profound essays, and wider leadership with organizations like the National Council on the Arts and the Brehm Center at Fuller Seminary, Fujimura quietly and consistently nurtures artists and the people who love them, both inside and outside the church. In this life-giving book, he cultivates practices that help us honor God by caring for the soul of our culture." (Philip Ryken, president, Wheaton College)"In his generous and inspiring work Culture Care, artist Mako Fujimura suggests that our common culture is not a territory to be captured, but a garden to be cultivated, needing the nourishment of creativity, community, connection, and the generation of beauty. It is a grace-filled call to beat swords into plowshares and take up the work of tilling our common garden." (Cherie Harder, president, The Trinity Forum)"What kind of culture do we wish to live within, and how do we get there from here? This is the core question addressed in Culture Care, a book suffused with kindness and generosity. It is a book that goes beyond imagination to generation. It suggests and exemplifies ways of being that can help to create well-being. What is the opposite of a vicious cycle―a cycle benevolent, humane, and self-potentiating? We need a term. We need it to name the effect that this wise book can have if we read it, share it, live it." (Robert Schultz, writer, artist, John P. Fishwick Professor of English, Roanoke College)"With much compassion and courage, Makoto compels us to take our calling seriously to care for and cultivate the cultural soil in which we reside. He encourages us to view culture care as a biblical alternative against the prevalent culture of anxiety and scarcity. This is a posture every follower of Jesus should nurture to embody the gospel." (Mark Raja, designer, cofounder of Integrated Arts Movement, Bangalore)"Culture Care is a beautiful and powerful work of art, and it is about much more than culture, art, beauty, and aesthetics; it is about nothing less than what it means to be human. We all have a spirit that is thirsty for culture, as do societies at large. This book serves up a powerful warning about what happens when that thirst is not quenched; given the state of the world today, I can only hope that everyone in a leadership position reads, rereads, and ponders what he or she can do to care about culture, and actively so." (John C. Bravman, president, Bucknell University)"While serving with Mako Fujimura on the President's Committee on the Arts and the Humanities, I often experienced his soft-spoken words. When Mako spoke, I wanted to listen because his words brought insight and meaning. The same is true of this book. As I read Mako's words, I listen, allowing them to leave imprints of wisdom on my heart." (Adair Margo, Tom Lea Institute, El Paso, Texas)"My friend Mako Fujimura is one of the most thoughtful, sensitive, and eloquent artists of this generation." (Eric Metaxas, New York Times bestselling author of Bonhoeffer: Pastor, Martyr, Prophet, Spy)"Mako offers helpful insights not only for artists, but for all partners in culture care. His acknowledgment of the importance of addressing brokenness, creating safe spaces for sharing journeys, and truth telling reflects an appreciation of the relational and transformational power of engaging in culture care. While the reader could be overwhelmed by the pervasiveness of the challenges, Mako inspires us toward meaningful action. A wonderful contribution!" (Alexis Abernethy, professor of psychology, Fuller Theological Seminary)"When I first opened up Culture Care one night in Taipei and began reading, I knew that it was an important and essential work for today's artists. As I read, the book kept opening up like a flower of revelation. It helped define for me what I have been doing for a long time: culture care. I never had a word for it before. It has also helped me see myself differently as an artist. Culture Care gives the artist dignity and purpose, something that the church and society never gave me. The church never acknowledged art as a worthy vocation with a godly purpose, and society never fully recognized me either. So that's where I've always lived and worked―on the outside. But we are not alone and we are right where we belong!" (James Elaine, artist and curator)"The valuable lessons and insights in Culture Care are essential to reformation, renewal, hope, and subsequently the restoration of our culture and communities to wholeness. Mako captures what really matters in life: glorifying God in all aspects of our lives and our communities." (Mike Brenan, state president, BB&T, trustee, The Trinity Forum)
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About the Author
Makoto Fujimura is an internationally renowned artist, writer, and speaker who serves as the director of Fuller Theological Seminary's Brehm Center for Worship, Theology, and the Arts. He is also the founder of the International Arts Movement and served as a presidential appointee to the National Council on the Arts from 2003 to 2009. His books include Refractions: A Journey of Faith, Art and Culture and Silence and Beauty. Recognized worldwide as a cultural shaper, Fujimura's work has been exhibited at galleries including Dillon Gallery in New York, Sato Museum in Tokyo, The Contemporary Museum of Tokyo, Tokyo National University of Fine Arts Museum, Bentley Gallery in Arizona, Taikoo Place in Hong Kong and Vienna's Belvedere Museum. In 2011 the Fujimura Institute was established and launched the Qu4rtets, a collaboration between Fujimura, painter Bruce Herman, Duke theologian/pianist Jeremy Begbie and Yale composer Christopher Theofanidis, based on T. S. Eliot's Four Quartets. A popular speaker, Fujimura has lectured at numerous conferences, universities and museums, including the Aspen Institute, Yale and Princeton Universities, Sato Museum and the Phoenix Art Museum. Among many awards and recognitions, Bucknell University honored him with the Outstanding Alumni Award in 2012, and the American Academy of Religion named him as its 2014 Religion and the Arts award recipient. He has received honorary doctorates from Belhaven University, Biola University, Cairn University and Roanoke College.
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Product details
Paperback: 160 pages
Publisher: IVP Books (February 14, 2017)
Language: English
ISBN-10: 0830845038
ISBN-13: 978-0830845033
Product Dimensions:
5.5 x 0.5 x 8.2 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
24 customer reviews
Amazon Best Sellers Rank:
#48,408 in Books (See Top 100 in Books)
I have mixed feelings about this book. I gave it four stars because just the chapter on Emily Dickenson and Vincent Van Gogh, and their relationship with society and the church was well worth the price to me. The book has other strengths, too. Fujimura does seem to be a bit elitist, as he thinks we should rely on experts from the arts and social sciences to teach us how to understand the arts, including literature and music. I think we could do without that, thank you very much. I did enjoy the sample of his work shared in the beginning of the book. He does lovely art work himself, and he is insightful insofar as the dreadful consequences of the materialistic, utilitarian philosophy that has deluged our culture and the church. As he points out, it's high time we got it together.
Fujimura addresses many issues facing artists, their potential roles in society, evaluates what might or might not be important, and puts forth creative suggestions from principle and his experience. I made a lot of highlights in the book and took notes and will certainly incorporate some of his insights into my life.
This book was motivating and practical at the same time; would recommend it to cultural leaders, makers and artists of all kinds.
I crucial book.
Just wonderful.
Excellent opportunity for interesting discussions. Definitely recommend.
Fujimura has some very valuable things to say about culture and cultural stewardship, as well as invaluable insights into the role and value of artists in the community, and how communities can best raise up and support these types of individuals. He writes beautifully of the diversity and inter-dependence of healthy communities, and presents a fantastic model of how Christian communities can effectively interact with the culture and communities around them. This book has definitely changed how I define the role of the Church in shepherding its people with regard to culture.
I stumbled on his previous book quite by chance and loved it. I had to get this one to see if the writing grabbed my attention like the previous book. I was not disappointed. He writes beautifully and thoughtfully on the intersection of art, faith and the act of creating culture and community. Timely messages for our fragile world.
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