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File Size: 1649 KB

Print Length: 356 pages

Publisher: OUP Oxford; Revised edition (November 20, 2008)

Publication Date: November 20, 2008

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00AF6MZ4I

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The experience base underlying my comments are as a recovering attorney who has served as a practice development consultant to law firms around the United States. These comments are primarily directed to those who are invested in, depending on your point of view, the legal industry or profession.First the good news. Before reading Susskind's work, you'll need three packs of sticky notes in different colors. Use one color to mark the things that you already agree with, another for the things you disagree with and the third - the big pack - for the new ideas you hadn't considered before. Since tradition is only helpful to the extent the future will be like the past, it is not so much in his specific predictions that Susskind's work benefits the legal community as much as the fact that he makes the velocity of change undeniable.The metaphorical image of lawyers Susskind paints is a bunch of guys in `bespoke' suites, standing on a beach toward which a huge wave is approaching, arguing with each other who will bear legal liability for the tsunami. Those who value the profession and their role in it will heed the warning and move to the high ground. These will be those who recognize that the legal profession is the servant of society - not the repository of its order or wisdom.In `minding the gap' between consultant speak and difference between theory and practice, the footnotes alone - most of which are web sites exemplifying what he's discussing, are worth the price of the book. The author would have earned more money from this work if he had simply asked the readers to send him a dollar every time they looked followed up on a footnote and said to themselves `now I see what he's talking about'.The bad news is that the author's experience clearly focuses this book on the net sum of his professional experience, which, apparently, is serving the largest `white shoe' firms in Great Britain. Since, using economic terminology, the law is a `lagging phenomena' - this exacerbates the differences in `legal culture' between us. The significance of this is inversely proportional to the `listening skills' of the reader. To the extent that most lawyers spend the time they're not talking thinking up what they're going to say next - this is a problem.Overall, the book gets a thumbs up. The author does American lawyers the favor of not only saying that changes are coming but outlines some specifics as to what those changes might be. Getting to higher ground in time is up to each individual and firm.

Please note the question mark in the title.Susskind, a British information-technology consultant and futurist, is not necessarily predicting the end of the legal profession in this thought-provoking but overly long and convoluted book. He is predicting that within a couple of decades, lawyering will have changed in ways that the typical law firm partner of 2009 can hardly envision.The engine of change, as far as Susskind is concerned, is the Internet and information technology in general. Susskind points to 10 "disruptive technologies" - among them ideas as prosaic as automated document assembly and as visionary as the provision of legal advice through open-source technology - that will alter the face of the profession."Information technology is now part of the universe of lawyers," Susskind writes. "It is not a parallel universe. Disruptive legal technologies are too important to be left to technologists ... they are applications of technology that challenge the old ways and, in so doing, bring great cost savings and new imaginative ways of managing risk."Susskind believes, for example, that except for the most customized, top-of-the-line engagements, legal work done by top firms in the United States and the United Kingdom will soon be largely standardized through the use of intelligent document assembly programs, the deployment of more paralegals and nonlawyers, and other innovations. Even high-end corporate work, he says, can benefit from standardization. The result will be lower costs to clients, a broader availability of legal services to the public, and possibly the end of the big law firm as we know it today.Susskind is quite aware of the cutting edge of legal marketing. One of his "disruptive" techniques is "the electronic legal marketplace," which he sees as including online ratings of individual lawyers, online auctions, bulk purchasing, and readily available price comparisons. He foresees the multi-sourcing of legal services, increased confidence by clients that they are getting the best value for their money, greater choice, and of course lower costs.The book can be slow going (Susskind has not learned how to write in short paragraphs), it can be repetitious, and Susskind's examples are taken almost entirely from British life, law, and experience and will be quite foreign to the American reader. For example, Her Majesty's Stationery Office, a government agency that Susskind regards as a key player in the legal Internet, sounds merely quaint to American ears.Regardless, anyone who wishes to understand where the profession has been and where it is going should read this book.

I'm a lawyer and bought this book when one of my clients told me she was reading it as part of her book club--which is comprised of high-level executives. Indeed, the very title had me worried! That aside, I found this book extremely insightful and quite helpful to me as a legal practitioner. It explores ways in which we can use technology to enhance efficiency in obtaining or rendering legal advice. While many lawyers might cringe at the possibility of being replaced by an algorithm, those of us who truly value their clients' interests and are sensitive to cost effectiveness can adapt many of the concepts presented in this book in improving their own customer service. This is a "must read" for lawyers and clients alike.

Provocative and inteligent in a general view. Unfortunatelly, the author forget the civil law universe and, thus, his conclusions don't apply entirely to "lawyers" at all, but to a specific system of justice with proper features.

The book is a bit dated and discusses developments already here as if they were never thought of yet.

GREAT book!

Great book for anyone considering law, or doing a law degree

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Product details

File Size: 21975 KB

Print Length: 376 pages

Page Numbers Source ISBN: 0062060872

Publisher: Harper (March 12, 2019)

Publication Date: March 12, 2019

Sold by: HarperCollins Publishers

Language: English

ASIN: B07CWRJZ6G

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Amazon Best Sellers Rank:

#6,755 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Expertly researched, wonderfully written. The complete description of the history of polynesia, Very engrossing and a joy to read.

This book is a must have for your library if you are a sailor, historian, lover of Polynesia and the "South Seas", of exploration or one who enjoys puzzling out the human condition. Beautifully written by a scholar passionate about her subject. As a sailor of those seas, filmmaker and writer myself about this subject I cannot recommend it more. Could not put it down.

Christina Thompson is the author of Come On Shore and We Will Kill and Eat You All, which I read and loved. I was thrilled when I saw that she was about to publish another book, and even more so when I found a review copy; thanks go to Edelweiss and Harper Collins.For centuries, Western scholars have tried to tease apart the many unknown aspects of Polynesian history. The islands are spread across an area of the Pacific Ocean (and beyond) so large that all of the Earth’s landmasses could fit into it, and there would still be room for an extra one the size of Australia. And yet there’s undeniable evidence that they navigated from one to another in canoes, without compasses or written maps of any kind. How the heck did they do it?Thompson discusses the early European efforts, from the ‘discovery’ of various islands—and she points out that Europeans jealously guarded information, and so British explorers didn’t benefit from what the Spanish found, for example, and vice versa—to present day. She talks about the differing points of view, languages, and cultural divides that prevented the white folk from understanding what islanders were trying to tell them, and from believing that they knew as much as they did. As far as I can tell, Thompson is the first Caucasian writer to approach this subject with respect for the islander peoples about whom she is writing; her husband and sons are of Maori descent, and so for her, this connection merges the academic and the personal.The thing that makes Thompson so readable is her wry take on the errors made by those that came before—mostly the Westerners that approached the area with paternalism tinged with more than a little racism in many cases. I’ll be reading along and thinking yes yes, this is interesting…and then I’ll come across a remark and reread it—did she just say what I think she just said? And then I am laughing out loud. Find me a geographer, an anthropologist, a sociologist that can do that. In particular, her unpacking of the whole Kon-Tiki debacle is unmissable.If I could change anything, it would be to have been able to read this before I went into teaching instead of after retirement. I taught a lot of Islander kids, and the wisdom is that when we teach American history, we incorporate the history of each ethnic group represented in the classroom. I knew how to include my African-American students, and I knew what to tell kids of Chinese and Japanese backgrounds. I had material for my Latino kids. But with my Islander students, all I could do is say that I had truly tried to find information for them, but what little I found was so deadly dull and written at such a high literacy level that it wouldn’t work for them. And what would really kick ass is if this writer, at some lull between high-powered academic projects, could write something for children or young adults of Maori descent. Right now, English-speaking Pacific Island kids have one Disney movie. That’s it.This book is highly recommended to every reader with post-high-school literacy ability and stamina. It’s a cultural treasure, and though I rarely do this with galleys, I will go back and read this again, because there’s no way to take it all in the first time, even when making notes.What a wonderful find.

This exploration of explorations of an exploring people is full of fascinations, friendships and frightening distances. Also birds - as guides, as food, as giants made extinct.The author tells us she is married to a Polynesian gentleman who is one of a people who inhabit remote islands across the Pacific, which today are in a nine hours' flight on a side, triangle.To explore a people who didn't have a written history, and lost much oral history when diseases struck, is to give an account of how other nations came across them, reacted to them, befriended them and learned about them. From Spaniards and Dutch, to Captain Cook's many voyages, to Thor Heyerdahl, spans centuries of puzzlement. For how did the Polynesians get where they were, where did they come from, and were they all related?Linguistics proved a relationship, the animals carried, pigs, dogs, chickens and rats, added firmly to the links. In the modern times, after radiocarbon dating, fishhooks and pottery were added, the animals came in useful again; their bones could safely be DNA tested from modern and buried sites, rather than disturbing too many human graves.I enjoyed the account and the photos. Some of the passages were new to me and others more familiar but the whole is well assembled and tries to show what people on both sides believed at the time.Notes P319 - 354 in my e-ARC. I counted 11 names which I could be sure were female.I downloaded a ARC from Net Galley. This is an unbiased review.

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PDF Download Adobe Photoshop Lightroom CC/6 - The Missing FAQ - Real Answers to Real Questions Asked by Lightroom Users, by Victoria Bampton

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Adobe Photoshop Lightroom CC/6 - The Missing FAQ - Real Answers to Real Questions Asked by Lightroom Users, by Victoria Bampton

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Adobe Photoshop Lightroom CC/6 - The Missing FAQ - Real Answers to Real Questions Asked by Lightroom Users, by Victoria Bampton


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Adobe Photoshop Lightroom CC/6 - The Missing FAQ - Real Answers to Real Questions Asked by Lightroom Users, by Victoria Bampton

About the Author

Hi, my name's Victoria Bampton, and I'm the author of the 'Adobe Lightroom- The Missing FAQ' series of books. I'm an Adobe Community Professional and Certified Expert, but more importantly, I'm a real user, just like you. You probably recognize my name from one of the many Lightroom or other photographic forums I frequent. I love spending time helping Lightroom users get the best out of the software! That's where this book started - certain questions come up repeatedly on the forums, and none of the available books seem to answer them - or if they do, you have to read the entire book to find the answer. I wanted to be able to recommend an easy reference book - one that you can pick up and skip straight to the answer you're looking for - but there wasn't one. Instead, I sat down and compiled a list of questions directly from the forums, and wrote jargon-free answers as if I was answering a user on the forums. This is the information you actually want to know, in an easy reference format. It's as simple as that!

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Product details

Paperback: 608 pages

Publisher: The Lightroom Queen (May 29, 2015)

Language: English

ISBN-10: 1910381020

ISBN-13: 978-1910381021

Product Dimensions:

7.4 x 1.2 x 9.7 inches

Shipping Weight: 2.4 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

137 customer reviews

Amazon Best Sellers Rank:

#366,174 in Books (See Top 100 in Books)

After 5 years as an Aperture user, I finally had the motivation to leave after deciding that Apple's decision to no longer support it increased the likelihood that I'd one day encounter big problems with my entire photo library. Still, I was very nervous about moving to Lightroom 6 and learning entirely new software.At first glance, Victoria Bampton's book is a bit intimidating, coming in at nearly 600 total pages. My first concern was moving my entire managed Aperture library to LR6, and I was at first frustrated finding that the bound volume did NOT contain instructions for doing so. A note on one of the "Import" chapter pages referred me to Appendix page A-28 for more information, but the appendices are NOT included in the printed copy; they are, however, available for download off of Victoria's website. So my first advice for Aperture users in a similar situation is to follow instructions to register the book with Victoria, take some time to explore the Members Area to see what's available there, and then carefully follow the Appendix C instructions for moving your Aperture library.For a LR rookie like myself, the "Fast Track" feature was an absolute necessity to learn the basics of importing, organizing, and developing (editing) photos without getting lost in the detail. Clearly marked arrows directed me to the essential, basic instructions for each topic, leaving more complex details for later study. The text material was clearly written. Some pages had to be read very carefully because of the amount of text, examples, and highlighted "tip" boxes included.My method for covering a topic -- for example, learning the Basic Development panel -- was to read a short section then use some of my own photos to practice the steps that I just covered. (There was no shortage of photos to use, because as Bampton and many other writers have cautioned, Aperture adjustments/edits do NOT carry over into LR6.)I supplemented selected topics with free videos from unrelated LR experts, usually Julianne Kost's videos. Brampton's book can easily stand on it's own for teaching LR6, but for me using both a text and videos is best for learning this type of material. Sometimes I read first, followed by a video on the subject, and sometimes I reversed the order. When I purchased Bampton's book, I also purchased Tony Northrup's "Adobe Lightroom6/CC" video book. I began using both sources, but quickly found that Bampton's book was much easier from which to learn. Most of Northrup's videos were made with earlier versions of LR and NOT at the same time as the 2015 edition of his book; accordingly, I often had difficulty finding the video segments that corresponded to a chapter's material that I was reading. Also, some topics/tips I thought were significant were either skipped or covered only superficially in the Northrup text and videos. Though I will keep Northrup's book around to review material on specific topics, my go-to source for learning more about LR6 will continue to be Bampton's book.Had I not had to jump through so many hoops (see 2nd paragraph above) to find the instructions for moving my Aperture library into LR6, which for me was nerve-wracking just thinking about it, I would have rated this a 5-star book.

The information in this book may be excellent, but the Kindle version is very difficult to navigate (I use the Kindle for iPad app). Although the Amazon "Look Inside" feature clearly shows a table of contents in the paperback version, it seems there's no table of contents in the Kindle edition. This means you can't navigate directly to the subject you want. I suppose that's no problem if you choose to read the book cover-to-cover, but it's a serious flaw in a reference book. It turns out there is an index, but it took me a while to stumble on it, since there's no table of contents to link me to it. Once I found the index, I tried to bookmark it, but I can't navigate back to my bookmark in this Kindle book (as I can in others). The author mentions in her introduction that the book is also available in PDF format, so I thought that might be a better option if it includes a table of contents. With that in mind, I went to her web site to see if she offers a discount to buyers of one format who decide they also want another format. It turns out that if you buy/download the Kindle version directly from her site (at the same price as Amazon), you also get the PDF and epub versions for free. But, if you buy/download the Kindle version from Amazon like I did, your only option is to buy another format at full price. As I said, the information may be great but, frankly, I'll never know because it's too difficult to find in the Kindle book. And, of course, the difference in purchase options is downright annoying. My advice is to buy the paperback edition or, if you prefer an e-book format, purchase it directly from the author's web site.Update 6/14/17: After returning the Kindle edition to Amazon (they accept Kindle returns within one week of purchase), I purchased the paperback edition from Amazon. Once it arrived, I went to the author's web site and registered the book to become a "premium member" on her site. Within a day she e-mailed to confirm my membership. This allowed me to login at her website and download the PDF, ePub, and Kindle versions for free. I downloaded and installed the ePub edition to my iPad and it works fine, complete with a table of contents.Now that I've had some time with the book in both paperback and ePub forms, I must agree with other reviewers that the content is excellent. She covers each topic thoroughly and clearly, with plenty of illustrations. I've already uncovered information I searched for in vain in other Lightroom books and videos. I wouldn't use this book to learn Lightroom (I recommend Laura Shoe's video series for that), but it's the most in-depth reference I've come across.Because the content is so good and the ePub version works fine on my iPad, I'm upgrading my rating from 3 to 4 stars. I still can't give it 5 stars, but only because of the problems and inconvenience I experienced with the Kindle edition.

I purchased this book after returning Scott Kelby's "How do I do that in Lightroom ..." This book has both a Fast Track collection of information for those who are already familiar with Lightroom or who are just starting to organize a small collection, as well as in-depth explanations about the structure of the program. I needed the latter, because I already had 19,000 photos spanning 16 years, and I wanted to know what choices to make during the importation process to minimize the down-stream effort to organize them. As soon as I received the program, I immediately imported all of my photos and began attaching keywords (wrong!). However, after reading the chapter on importing and understanding the consequences of my initial choices (copy vs. add, renaming of files, etc.), I ended up clearing out the catalog and re-importing all of my photos. All of the video examples on the Lightroom web site demonstrate techniques on small collections of newly-imported photos. They don't address the implications of importing large collections that may contain duplicates scattered across many file folders. I highly recommend this book if you are just starting with Lightroom or if you want to minimize the work of organizing a large collection of photos. I also found this book useable in the Kindle form, which was not the case with the other book.

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Download The Child Labor Reform Movement: An Interactive History Adventure (You Choose: History), by Steven Otfinoski

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The Child Labor Reform Movement: An Interactive History Adventure (You Choose: History), by Steven Otfinoski

The Child Labor Reform Movement: An Interactive History Adventure (You Choose: History), by Steven Otfinoski


The Child Labor Reform Movement: An Interactive History Adventure (You Choose: History), by Steven Otfinoski


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The Child Labor Reform Movement: An Interactive History Adventure (You Choose: History), by Steven Otfinoski

From Booklist

History can take many paths and these entries in the You Choose: History series prove just that. After a brief introduction to the time period, the books use a “Choose Your Own Adventure”–style format that follows three fictional young people through historical ups and downs—including, sometimes, death. Complemented by archival photographs and reproductions, the brisk text highlights key events, people, and places. In The Child Labor Reform Movement, an apprentice mill worker, an immigrant factory worker, and a “newsie” in New York City experience the dangerous working conditions of the Industrial Revolution and meet Lewis Hine, investigative photographer for the National Child Labor Committee. Each title concludes with a chapter about the time period’s legacy and extensive back matter to encourage further exploration. Grades 3-6. --Angela Leeper

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About the Author

Steven Otfinoski has written more than 150 books for young readers. Three of his nonfiction books have been chosen Books for the Teen Age by the New York Public Library. Steve is also a playwright and has his own theater company that brings one-person plays about American history to schools. Steve lives in Connecticut with his wife, who is a teacher. They have two children, two dogs, and a cat. When he's not writing he enjoys swimming, tennis, reading, and singing in his church choir.

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Product details

Age Range: 8 - 12 years

Grade Level: 3 - 4

Lexile Measure: 620L (What's this?)

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Series: You Choose: History

Paperback: 112 pages

Publisher: Capstone Press (August 1, 2013)

Language: English

ISBN-10: 1476536082

ISBN-13: 978-1476536088

Product Dimensions:

5.2 x 0.2 x 7.5 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#130,134 in Books (See Top 100 in Books)

Fun twists and turns in the plot that the reader chooses as the adventure unfolds

My children thoroughly enjoy these interactive history books. Great book and keeps kids engaged!

The format is interesting for children at the 5th grade which is appropriate for the state of California of those studying that era

Great images and captions

My students love how the book is interactive. It's a great non-fiction piece that has the students paying attention and not bored.

good story

My 10 year old daughter loves these books. She really enjoyed this one but it was not on her favorite list. Check out this one and all the others. You won't be disappointed

We are a homeschool family and forever looking for ways to make history come alive. This series has done the trick! Thank you! My 9 year old and I thoroughly enjoyed reading the book multiple times.

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Publisher: Sonzogno (April 11, 2019)

Publication Date: April 11, 2019

Sold by: Amazon Digital Services LLC

Language: Italian

ASIN: B07PVHZW14

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Free Ebook Critical Theory at a Crossroads: Conversations on Resistance in Times of Crisis

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Critical Theory at a Crossroads: Conversations on Resistance in Times of Crisis

Critical Theory at a Crossroads: Conversations on Resistance in Times of Crisis


Critical Theory at a Crossroads: Conversations on Resistance in Times of Crisis


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Critical Theory at a Crossroads: Conversations on Resistance in Times of Crisis

Review

The benefits of this collection of interviews are many: an introduction to the thought of some leading critical intellectuals, a compendium of the terms and questions most pressing in contemporary theory, a confrontation with the political challenges of the present moment, and more. If you want an answer to 'what is to be done?' you won’t find it here. But you will encounter the work of thought necessary for ideas capable of turning current crises into emancipatory possibilities. (Jodi Dean, author of The Communist Horizon)In this book the concept of 'crisis' is examined in all of its multiple expressions―historical, social, and philosophical. The result is extraordinarily rich and penetrating. Against the idea that 'there is no alternative,' a form of resistance emerges that is capable of overcoming national confines and of opening a new space for action and thought. (Roberto Esposito, author of Bios: Biopolitics and Philosophy)Critical Theory at a Crossroads consists of eleven conversations with distinguished interviewees about various crises in the contemporary world, as well as a letter exchange in its concluding twelfth chapter. All of its contributions reflect and engage the work of the interviewees included in the book but also add new insights to it. This timely collection both develops a theoretical/philosophical reflection about crisis and a practical investigation of actually developing political or economic phenomena that have been characterized as 'crises.' (Arne De Boever, California Institute of the Arts)

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About the Author

Stijn De Cauwer is a postdoctoral researcher in cultural studies and literary studies at the University of Leuven in Belgium. He is the author of A Diagnosis of Modern Life: Robert Musil’s Der Mann ohne Eigenschaften as a Critical-Utopian Project (2014).

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Product details

Paperback: 256 pages

Publisher: Columbia University Press (July 31, 2018)

Language: English

ISBN-10: 0231186797

ISBN-13: 978-0231186797

Product Dimensions:

6 x 0.5 x 9 inches

Shipping Weight: 12.5 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,415,370 in Books (See Top 100 in Books)

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File Size: 566 KB

Print Length: 172 pages

Publisher: Angelo Tropea (May 9, 2014)

Publication Date: May 9, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00K98WY5M

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