Free PDF The Art of the Renaissance, by Lucia Corrain

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The Art of the Renaissance, by Lucia Corrain

The Art of the Renaissance, by Lucia Corrain


The Art of the Renaissance, by Lucia Corrain


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The Art of the Renaissance, by Lucia Corrain

From School Library Journal

Gr 5-7--An engaging and intelligent treatment of a seemingly overwhelming subject to tackle in so brief a book. It covers 30 topics relevant to the era, such as individual artists (Masaccio and Titian), towns (Milan and Rome), and techniques (oil painting and wood sculpture). Most of them are discussed on double-page spreads, while others are given only one page of coverage. Despite the brevity of each entry, a surprising amount of solid information is conveyed. A typical entry consists of an introductory paragraph; a large illustration; and three-to-eight smaller illustrations, photographs, and full-color reproductions (along with accompanying captions). For example, the entry on wood sculpture features a paragraph about this art form's leading practitioners and showcases an altarpiece created by Veit Stoss. It includes a picture of the piece under construction, several explanatory captions, plus smaller drawings that illustrate the carving process step-by-step, a photograph of the Bamberg altar, and a short biography of Veit Stoss. With its attractive layout, this title does a fine job of introducing young readers to this period in art history, but the information covered only scratches the surface. Therefore, it is best used as an elementary overview rather than as a definitive source for reports.Melissa Hudak, Northern Illinois Medical Center, McHenry, ILCopyright 1998 Cahners Business Information, Inc.

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Language Notes

Text: English (translation) Original Language: Italian

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Product details

Grade Level: 3 - 8

Series: Masters of Art

Hardcover: 64 pages

Publisher: Brighter Child; 1st edition (February 9, 2001)

Language: English

ISBN-10: 0872265269

ISBN-13: 978-0872265264

Product Dimensions:

10.6 x 0.4 x 14 inches

Shipping Weight: 1.9 pounds

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,420,211 in Books (See Top 100 in Books)

"The Art of the Renaissance" is part of the "Masters of Art" series which was first published in Italy in the 1990's. Like all the other books in the series, "The Art of the Renaissance" is a large format book. The production values are very high. Along with beautiful reproductions of Renaissance paintings, this volume has accompanying illustrations produced by two master illustrators, Simone Boni and L.R. Galante. Boni and Galante are two of the finest historical illustrators ever to work in children's literature. The text by Lucia Corrain is well written and does a good job of covering the remarkable artistic flowering that took place in Europe. This book is geared towards children of middle school age. For younger children, I would recommend Piero Ventura's masterful "Great Painters." All in all, this is a beautiful book and I would recommend it and all the other books in "The Masters of Art" series.

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Download Ebook Kimi ni Todoke: From Me to You, Vol. 11, by Karuho Shiina

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About the Author

Karuho Shiina was born and raised in Hokkaido, Japan. Though Kimi ni Todoke is only her second series following many one-shot stories, it has already racked up accolades from various "Best Manga of the Year" lists. Winner of the 2008 Kodansha Manga Award for the shojo category, Kimi ni Todoke also placed fifth in the first-ever Manga Taisho (Cartoon Grand Prize) contest in 2008. In Japan, an animated TV series debuted in October 2009, and a live-action film released in 2010.

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Product details

Series: KIMI NI TODOKE (Book 11)

Paperback: 184 pages

Publisher: VIZ Media LLC (November 1, 2011)

Language: English

ISBN-10: 9781421539225

ISBN-13: 978-1421539225

ASIN: 1421539225

Product Dimensions:

5 x 0.7 x 7.5 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

80 customer reviews

Amazon Best Sellers Rank:

#913,523 in Books (See Top 100 in Books)

From back cover:Sawako Kuronuma is the perfect heroine.... for a horror movie. With striking similarities to a haunting movie character - jet-black hair, sinister smile and silent demeanor, she always had trouble fitting in. but her whole life changes when she befriends the most popular boy in class.Sawako finally realizes that her feelings for Kazehaya are more than Just admiration. But this novice in love has a lot to learn about romance. Not that Chizu can help her out any - she's got enough worries of her own to deal with! Can either of these shy girls take the next step toward a real relationship?Review:This book highlights the fact that the stories are about the group of friends that surround Sawako and Kazehaya, not just those two main characters. This is an approach that I really like in most writing.Kurumi admits to Kazehaya that she has feelings for him, but Kazehaya admits that he already cares about a different girl (he doesn't name Sawako, but Kurumi isn't stupid) . Chizu (she is NOT shy, clueless, but NOT shy) is in a tizzy shopping for a birthday present for Ryu (Sanada). Although Chizu and Yani meet Sawako's parents for the first time (a sleep over at Sawako's house), Sawako (and Kazehaya) is more of a supporting character in this book. Sawako is initially confused by who Chizu has feelings for and Chizu is totally oblivious to the person who has feelings for her.I enjoyed seeing more of the other characters - Yano, Chizu, Ryu/Sanada, Mr. Arai (a teacher), Sawako's parents, etc. but this does mean that the main story line didn't seem to progress very much.This series moves slowly, but Sawako always leaves me with a warm feeling.I give book 5 of kimi ni todoke a 4.In order to come up with an overall review/rating for the series and this specific book within the series, I used the following criteria:Character development: Excellent (5). This series is about teenagers and their relationships; primarily focused on the high school environment and activities. The characters are very real and human. I would be surprised if anyone reading this could not find someone that they can relate to. The characters grow and we learn more about them in a consistent manner. In the 20+ books that I have read of this series, I have not noted any actions that seemed out of character based on the character development and story line. Characters have changed, but they have changed in ways that are logical and consistent with what the reader knows of them.Art: Is slightly better than average (3.5) I enjoy this series a great deal, but the art could be improved especially the faces.Relationship development: is Excellent (5) Although this series does move slowly, this means that the relationships develop as they would in real life. The shy girl doesn't get the guy by the end of the first book, friendships don't develop (or end) abruptly and for no reason, etc.Overall Story: Very Good (4). This is not my 'typical' genre of manga, but I did enjoy reading the books. My big complaint is that it seems to move so so slowly. It is about relationships - love, friendship, frenemies, and acquaintences. Sawaka agonizes for chapters over decisions. Since I do the same thing, I can't fault her, but at the same time, it does make the story move very slowly.Author's notes/extras: Not every author includes includes author's notes, however, Karuho Shiina has. I enjoy learning more about the person behind a book so I appreciate the extra effort that the author takes to tell us about herself.Will I re-read? Excellent (5). Yes, I will re-read this series. As a matter of fact, I DID. I read most of the books (the first time) on-line, but felt guilty that the author and publishing company were not benefiting. I then purchased the books and have found that the print version from the publisher is the better way (for me) to enjoy these books.Will I recommend? Very Good (4.5). If you enjoy this style of manga, I believe you will enjoy this series.

From back cover:Sawako Kuronuma is the perfect heroine.... for a horror movie. With striking similarities to a haunting movie character - jet-black hair, sinister smile and silent demeanor - she is mistakenly called Sadako by those around her. But behind her scary facade is a very misunderstood teenager. Too shy to fit in, all she wants to do is make some friends. But when the most popular boy in class befriends her, she's sure to make more than just that - she's about to make some enemies too!Review:Sawako Kuronuma is beginning her first year of high school. Because of her appearance, she has the nickname "Sadako" - the name of a fictional character behind a 'cursed video'. Sawako is shy (and naive and trusting and....), but determined to make friends. She meets another first year student named Shota Kazehaya who is in her class. Kazehaya is naturally friendly and is also very popular. Based on Kazehaya's positive interactions with Sawako, other students begin to talk to her as well. Sawako has been ignored/ostracized for so long that she feels unworthy of what many would consider common politeness. Sawako credits Kazehaya with being responsible for her new friends and the improvement in the way other students view her. Sawako clearly has a case of hero worship for Kazehaya, but finds that her feelings for him are different than her feelings for other (male) classmates who are polite to her.Kazehaya shows signs of special feelings for Sawako as well. He is happy for that she has female friends (her first) who invite her to do things with them, but.... he wonders how long he will have to wait for her attention. I found Kazehaya especially well written since he had to deal with his own interest in Sawako, but doesn't want to interfere with her budding friendships.The book ends with Sawako being accused of spreading rumors about her new friends. Due to her shyness and lack of communication skills, the misunderstandings are likely to increase.This series does move slowly, but I found this a very satisfying introduction to Sawako and her classmates.I give book 1 of kimi ni todoke a 4.5In order to come up with an overall review/rating for the series and this specific book within the series, I used the following criteria:Character development: Excellent (5). This series is about teenagers and their relationships; primarily focused on the high school environment and activities. The characters are very real and human. I would be surprised if anyone reading this could not find someone that they can relate to. The characters grow and we learn more about them in a consistent manner. In the 20+ books that I have read of this series, I have not noted any actions that seemed out of character based on the character development and story line. Characters have changed, but they have changed in ways that are logical and consistent with what the reader knows of them.Art: Is slightly better than average (3.5) I enjoy this series a great deal, but the art could be improved especially the faces.Relationship development: is Excellent (5) Although this series does move slowly, this means that the relationships develop as they would in real life. The shy girl doesn't get the guy by the end of the first book, friendships don't develop (or end) abruptly and for no reason, etc.Overall Story: Very Good (4). This is not my 'typical' genre of manga, but I did enjoy reading the books. My big complaint is that it seems to move so so slowly. It is about relationships - love, friendship, frenemies, and acquaintances. Sawaka agonizes for chapters over decisions. Since I do the same thing, I can't fault her, but at the same time, it does make the story move very slowly.Author's notes/extras: Not every author includes includes author's notes, however, Karuho Shiina has. I enjoy learning more about the person behind a book so I appreciate the extra effort that the author takes to tell us about herself.Will I re-read? Excellent (5). Yes, I will re-read this series. As a matter of fact, I DID. I read most of the books (the first time) on-line, but felt guilty that the author and publishing company were not benefiting. I purchased the books and have found that the print version from the publisher is the better way (for me) to enjoy these books.Will I recommend? Very Good (4.5). If you enjoy this style of manga, I believe you will enjoy this series.

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Product details

Hardcover: 329 pages

Publisher: Caxton Printers; First edition (June 1961)

Language: English

ASIN: B0007DZHDU

Package Dimensions:

8.4 x 5.7 x 1.5 inches

Shipping Weight: 1.5 pounds

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#3,793,947 in Books (See Top 100 in Books)

This book gives the reader an approachable look into Persian culture through the eyes of a 1950's American housewife. Told in story format it is has humor and tragedy. I recommend it anyone wanting a background look at Persian culture, family life and thought, it is an excellent primer if one wants to make a study of this fascinating ancient culture.I can vouch for its accuracy having had a similar experience 15 years later as a Texas raised teenager dropped into the same culture for three years.

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Product details

Paperback: 184 pages

Publisher: CreateSpace Independent Publishing Platform (August 2, 2018)

Language: English

ISBN-10: 1724723901

ISBN-13: 978-1724723901

Product Dimensions:

8 x 0.4 x 10 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

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Color:Grade 6

The Spectrum® Science Workbook for sixth grade features 176 pages of compelling passages that introduce, review, and reinforce the skills that students need to thrive in science. Filled with informational text and fascinating facts, this resource helps st

I use all of the Spectrum materials as support material for my grandson's school work, and have found them to be the best I have used for that purpose, money well spent. These books come with tear-out sheets that can easily be scanned for doing work on the computer.

I use this for my daughter's 6th grade home schooling. I like the short lessons and answers in the back. The lessons are all random so they learn about planets one minute then vaccinations the next. That works for me because my daughter has a short attention span. So u read a 1 pg lesson then answer about 10 questions about what u read. At the end of the chapter there is a review test with about 20 questions. Not very challenging but it is perfect for my 11 year old daughter. Don't get me wrong, it's not for idiots. It's good.

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Very fast delivery and just as described, usually spend $400 on books but besides a few other books this does just fine.

it is well below what my son was studied at school. more like reading exercises the since.

I home-school, and this workbook was a waste of money. Some of the questions they ask are totally irrelevant to the lesson and some of the lessons are really a waste of time. Better off getting a text/workbook from AGS science and following chapter by chapter. I only bought this as sort of random filler for off days, and I still really don't even find it useful.

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Ebook Devil May Cry: 3142 Graphic Arts, by Caleb D. Cook

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Devil May Cry: 3142 Graphic Arts, by Caleb D. Cook

Devil May Cry: 3142 Graphic Arts, by Caleb D. Cook


Devil May Cry: 3142 Graphic Arts, by Caleb D. Cook


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Devil May Cry: 3142 Graphic Arts, by Caleb D. Cook

Product details

Paperback: 224 pages

Publisher: Udon Entertainment (September 29, 2015)

Language: English

ISBN-10: 1927925487

ISBN-13: 978-1927925485

Product Dimensions:

8.2 x 0.7 x 11.7 inches

Shipping Weight: 2.1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#21,777 in Books (See Top 100 in Books)

 Devil May Cry: 3142 Graphic Arts is the companion for the Devil May Cry series that fans should not miss out.It was originally published in Japanese in 2013 and this English edition is translated by Udon Entertainment. It's a large format 224-page paperback artbook with low gloss pages.This book serves as a visual companion and artbook. The concept art comes in the form of character and creature designs and environment art.The arrangement of content follows the chronological order of the story.. It starts with the third game, followed by first, fourth and second. Hence the 3142 in the book title. DmC Devil May Cry that was released in 2013 is not in this book because there's already a dedicated artbook just for that game.The artworks in this book consists of game stills as well as hand drawn art. It's about 50-50 game stills versus illustrated art. The character cutouts from game stills are used in the character profiles with provided background. The sketches and coloured illustrations are accompanied by artist commentary. The fourth game features predominantly drawn art and that also happens to be the section that I like best. I prefer looking at the artist interpretation than at the stills which you already can see in the game.In additional to the art from specific games, there's also an extra chapter with art from guest artists. You'll get to see art from Ikeno (Darkstalkers), Hiroaki (King of Fighters) and many more. This chapter has more sketches, includes the line art, character model sheets, weapon design and art of cameo appearance.Downsides of the book would be the use of too many game stills for the first three games and the small print size of the environment art.For those who want to learn more about the game and staff, there are more than 20 pages of interviews at the back of the book. The interviews are with motion artists Tomoya Ohtsubo and Yuichiro Hiraki, modeler Sawaki Takeyasu, Jun Ikawa, character designer Daigo Ikeno, animation supervisor Hiroyuki Nara, writer Bingo Morihashi, illustrator Tatsuya Yoshikawa, director Hideaki Itsumo and producer Motohide Eshiro.Fans of Devil May Cry should not miss out on this book. Overall, it's well worth the money.(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)

The book is a collection of illustrations and images for the first four games in the Devil May Cry franchise. The book contains translated materials never before released in English. The last chapter contains interviews with several people involved in the development if each game.The book is a gold mine of information and art. Devil May Cry 2, especially, never had it's concept art released anywhere in the world and the other games have had a lot of the information here only available to Japanese readers so this is a treat for DMC fans that quite honestly, we should've gotten years ago.For the most part the book is great but it does have a few flaws.The print on the interviews and the illustrations is pretty small. It's not an issue with the tag under the illustrations but in the interviews in the back of the book they can be taxing on the eyes.Most of the commentary seems to be from memory rather than what has already been written in each game's respective artbooks. This isn't so bad for the later 3 games but the original DMC gets the short end of the stick since there is only commentary from a small part of the staff that worked on it and they can only remember so much after all this time. It would've been better to include the material from the original art book, which was more recently to the game's release.On that note, there are some key people missing from the book, like Hideki Kamiya (director of DMC1, Resident Evil 2, Okami, and Bayonetta), Shinji Mikami (DMC1 producer, RE creator and director of RE 1, 4, Zero, and Dino Crisis.) or Hiroyuki Kobayashi (Producer of DMC1 and 4). While the perspectives of the people that ARE in the book are insightful there are more key people that one wishes had participated or at the very least to have the material from previous art books been presented in this one.The Japanese release of this book had sleeve cover which is the cover for this release but the cover under that sleeve was pretty cool so it's a shame it couldn't be transferred to this publication.Other than that the book is nice, thick and sturdy. I made sure to look at every page in case one of the prints was off but it all checked out fine. the content is fantastic and the interviews are full of behind the scenes information you can't get elsewhere. It's a great buy for all DMC fans and one hopes that there might be other DMC art books translated in the future since they are full of information only Japanese readers get to know but that didn't get to make it to this particular release.

As an avid Devil May Cry fan, I love this graphic arts book! I learned a lot about DMC and the why they picked the character/clothing styles that they did. I also saw some characters that I wish had been included, but oh well. My only complaint is that there seem to be some inconsistencies. 1) At one point, the commentary states that Sparda killed Mundus, at another it says he sealed him off into the demon world(so, not killing him). 2) It also says that Nero's arm "transformed" into the arm it is now, when it's common knowledge that his arm was the result of an injury he received while fighting demons. Hence why his arm was in a sling and why Kyrie told him that his arm wasn't fully healed/he wasn't ready to fight in the beginning of DMC4. 3) It also stats Dante is in his 40's, yet Dante's own voice actor Reuben Langdon said he was in his 30's(and was told so by Capcom). 4) It states Nero is Vergil's son. Although this may or may not be true, I have serious doubts that Capcom, after 8 years of being pestered for an answer to Nero's lineage, would only announce his lineage in a graphics arts book. These were just a few of the odd things I noticed. Other than that, this product is a great addition to my collection!

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Free Ebook At Home in the Universe: The Search for the Laws of Self-Organization and Complexity

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At Home in the Universe: The Search for the Laws of Self-Organization and Complexity

At Home in the Universe: The Search for the Laws of Self-Organization and Complexity


At Home in the Universe: The Search for the Laws of Self-Organization and Complexity


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At Home in the Universe: The Search for the Laws of Self-Organization and Complexity

Review

"Kauffman has done more than anyone else to supply the key missing piece of the propensity for self-organization that can join the random and the deterministic forces of evolution into a satisfactory theory of life's order."--Stephen Jay Gould, Harvard University"Stuart Kauffman lucidly argues that, in addition to Darwinian selection, another force, the emergence of self-organized order from apparent chaos determines the beautiful systems that make up the world and cosmos. He contends that emergent order is a feature of many complex systems and general laws that may be defined from their study. It is an exciting and well-written volume."--Barry Blumberg, Fox Chase Cancer Research Center and Nobel Laureate"Every once in a while, you read a book so powerful and with such a radical view that you realize your world is changed forever....Kauffman is a pioneer of the new science of complexity, which sees in the world of nature an inner force of its own, not mystical but scientific. This insight touches something deep in each of us, as we yearn to understand the order we see in nature. Kauffman shares his discovery with us, with lucidity, wit, and cogent argument, and we see his vision. Many will embrace it, as I did, and will gaze on the world anew."--Roger Lewin"Stuart Kauffman gives us a rich and compelling picture of the new principle of self-organization in understanding the emergence of order in complex systems, whether life or society or the economy. The analysis is dramatic without sacrificing scientific accuracy and a careful differentiation between what is known and what is surmised. The hints he has given on the development of the economy and especially of technology will undoubtedly be the basis of a major intellectual development."--Kenneth J. Arrow, Nobel Laureate and Professor Emeritus, Stanford University"Stu Kauffman is an immensely inventive and erudite explorer of the world of ideas and concepts. As with many explorers, not everyone will wish to accompany him but the description of the trip is fascinating."--Phil Anderson, Nobel Laureate in Physics, Princeton University

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About the Author

Stuart Kauffman is a member of the Santa Fe Institute. A MacArthur fellowship recipient, he is the leading thinker on self-organization and the science of complexity as applied to biology.

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Product details

Hardcover: 336 pages

Publisher: Oxford University Press; 1 edition (September 7, 1995)

Language: English

ISBN-10: 0195095995

ISBN-13: 978-0195095999

Product Dimensions:

9.5 x 1.1 x 6.4 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

59 customer reviews

Amazon Best Sellers Rank:

#325,692 in Books (See Top 100 in Books)

Stuart Kauffman is a brilliant renaissance man; a man who was a playwright, philosopher, physician, and ultimately seminal theorist of the principles of complexity and emergence at the Santa Fe Institute. His ideas are widely influential, groundbreaking, and bear upon the largest questions: what is the origin of life? In the face of the 2nd law of thermodynamics, what explains the richness of order we observe all around us? What are the underlying mathematical principles of emergent phenomena? What are the underlying mathematical principles of evolution (both natural and technological)? Indeed, until Kauffman, I had trouble defining evolution without a tautology at all (i.e. "evolution is survival of the fittest - and 'the fittest' are defined as the ones who survive"). Kauffman gives you a lexicon for understanding evolution, including why there is more radical divergence of form in early evolution and less later on. The principles of emergence bear directly on such diverse topics as ontogeny, economics, the formation of galaxies, coevolution of related species, etc... "At Home in the Universe" is Kauffman's synthesis - his attempt to tie up his decades of work in an explanatory way for the layman. The book is full of intricate diagrams illustrating the concepts discussed and, while sometimes challenging, is readable by any moderately educated person. These ideas have the power to change people's world views - and certainly have transformed my own. Stuart Kauffman's ideas have resonated deeply for me and have inspired me in a multitude of ways.So, what's the problem? It's the writing. Kauffman can't seem to decide if he is writing a book of philosophy or a book of science. He spends an inordinate amount of space discussing the philosophical implications of his ideas, often before he has even presented the ideas - let alone the experimental or theoretical support. As a book of exposition of science, "At Home in the Universe" is almost inexcusably poor. He presents a complex idea accompanied by a complex diagram which he explains. Often, however, he fails to explain the nature of the experiment or research that generated the diagram. He doesn't describe experimental or theoretical support for these ideas. The paucity of descriptions of the science behind these powerful ideas is doubly galling in the presence of repetitive presentation of inappropriate philosophical analysis. Many times in the course of this book I had to throw up my hands in frustration, wishing for exposition of the experiments hinted at in the diagrams - and being given long range cultural and religious context in its stead. For God's sake, let me put the context together for myself! But please give me the evidence.In conclusion, this book ultimately teases. If you have any interest in emergence or complexity theory you will need to read this - the ideas are that profound. However, having read it, you will have to look elsewhere for empirical or theoretical support for the powerful ideas presented here.

This book takes a hard look at how life on earth came to be. Rather than buy into the idea that somehow life evolved via the "blind watchmaker" scenario (i.e., similar to the argument that an army of monkeys sitting at typewriters would eventually compose a great novel), Stuart Kauffman builds a terrific case that the ingredients essential to life are bound to the rules that govern complex adaptive systems. And the very presence of these rules send a strong signal that "we the living", are "we the intended."The author's conviction to both his argument and the science of complex systems is evident throughout the book. If you are coming to this book without much background in complex adaptive systems, you will not be short-changed here. In fact, Kauffman provides extremely rich examples with numerous simple diagrams to educate the reader as he builds his case. Considering the book was published some 7 years ago, I was surprised to see the concept of gene networks given so much attention in the text. Seeing how the latest trend in genomics research is looking at genes and proteins as a regulatory network and attempting to identify specific disease pathways, the science in this book is extremely relevant.

In the still not quite emerged area of emergence aka complexity/systems, some rare books look even better many years after their original publication. At Home in the Universe almost ranks with Gregory Bateson's Steps to an Ecology of Mind: Collected Essays in Anthropology, Psychiatry, Evolution, and Epistemology and Mind and Nature: A Necessary Unity (Advances in Systems Theory, Complexity, and the Human Sciences) in that regard. This is in part because the area has such a fragmented vocabulary, reflecting a range of approaches which Kauffman is largely across due to his leadership at Santa Fe Institute in its highly productive first decade when its search for interdisciplinary insight outranked the search for marketable applications. In a search I did for a 2007 paper, Kauffman was second only to Nobel laureate Ilya Prigogine for citations from the hard science end of the complex systems spectrum.There can be challenges in reading books like this and Bateson's in that significant parts have still not gained wider awareness. They can sound unfamiliar, lack substantive follow up and, I imagine, for those who have not long been on the emergence/complex/systems track, they may seem counter-intuitive. They predate catch phrases like "unknown unknowns" or "black swans" which might make their central relevance to today's challenges more obvious.Kauffman's unifying tactic is exploring how the least accessible parts of the panarchy of natural systems improve their position on fitness landscapes, a mathematical representation reliant on ready mental movement from higher dimensional state spaces to the hills and valleys of familiar physical topography. To that end, he has applied simplified models to search for general principles. His results support a strong case that large gains and radical change come early, after which it becomes an ever more difficult struggle to gainfully inch further from an established viable position. This principle enables him to propose convincing scenarios for the origin of life, the Cambrian explosion and contemporary technological change; arguably the three most significant things we could seek to understand since the origin of the multiverse.This book reflects the peak of Santa Fe's excitement over the edge of chaos--border of order, an idea for which I had come to feel the lone defender early this decade. It is a bemusing sidelight to finally reading this book in 2009, that my own as yet unpublished current research has finally made clear something that had been hinted at but never expressed outright since Wolfram's 1983 notion of Class 4 cellular automata: that we have set up a false dichotomy between chaos and order which we need to leave behind if we are ever to understand that essential complexity arises best in circumstances where there is creative synergy between even deterministic chaos and emergent order.My only real quibble with Kauffman is that he came to this work with a wish to justify his feeling that we should be "at home in the universe" rather than totally defined by historical contingencies, aka accidents. At least he is up front about wanting that finding and, by extension, an endorsement of capitalist/American triumphalism. It would have been preferable if he had come with an open mind to whatever he might find. I suspect reality might prove a bit more contingent than he would be comfortable with, but that his broad principles of fitness landscape navigation might also prove ever more useful as they are better understood.

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