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Product details

Paperback: 136 pages

Publisher: Modus Vivendi Publishing; Flexibound edition (September 22, 2016)

Language: English

ISBN-10: 1772860387

ISBN-13: 978-1772860382

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7.3 x 0.4 x 10.1 inches

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"In an easy-to-read, clear style, Hosken provides an overview of acoustics and psychoacoustics, digital audio, audio hardware; sequencing, recording and notation software; computer-assisted learning, synthesis, sampling, MIDI, etc... In short, a book that will fulfill the demands of college level courses, while still being a useful self-paced learning tool for anybody interested in music technology." - Neil Manel Frau­ Cortes, Sonograma Magazine

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About the Author

Dan Hosken is Associate Dean of the Mike Curb College of Arts, Media, and Communication at California State University, Northridge.

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Product details

Paperback: 408 pages

Publisher: Routledge; 2 edition (July 26, 2014)

Language: English

ISBN-10: 9780415825733

ISBN-13: 978-0415825733

ASIN: 0415825733

Product Dimensions:

8 x 0.8 x 9.9 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#461,542 in Books (See Top 100 in Books)

Outstanding text, used for collegiate level introductory class in electronic music. Great illustrations, great coverage in a way that works with severak different software and hardware systems, and various tools for sound manipulation, recording, music notation, and other musical applications.

I was thrown into teaching a music technology class at my school and this book has been so useful. I use it all the time to review certain aspects and to comprise lesson plans around the content. It goes into interesting detail and makes things easy to understand.

Solid course book but a little too wordy at times. Wish it was more technically written..personal preference. It seemed more geared toward the fine arts student than than the technical major.

This is a great book! My professor used this for her class and I enjoyed it. I didn't get through the whole book but there is so much information within this text. It is useful because I can always report back to it when I need to. I am not planning on reselling this text because it will be useful to me.

This book was my first "introduction to music technology," and most of the information in it is still up-to-date. Obviously, some of the technology and computer software will have been updated by now, but the general principles contained in this book are an invaluable resource for any music engineer, singer/songwriter, or composer.

It is a very detailed book and it has all you need to get started with music technology.

I really like this book and it has a lot of detail. Really well written and an easy read. I got it for my recording arts class.

This book was purchased for a college class. It was reasonably priced.

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Product details

Series: A Concise Life

Paperback: 104 pages

Publisher: Kube Publishing Ltd (July 30, 2013)

Language: English

ISBN-10: 1847740456

ISBN-13: 978-1847740458

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5.5 x 0.2 x 7.8 inches

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Download PDF The Faithful Artist: A Vision for Evangelicalism and the Arts (Studies in Theology and the Arts)

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Review

"In this detailed overview and synthesis, Cameron Anderson opens up the mysteries of contemporary art, describing how works of art may operate as lenses through which to view the seen and unseen within culture. This illuminating book allows the double foci on faith and art to converge, introducing us to the worldview of the Ultimate Artist."--Luci Shaw, poet, writer in residence, Regent College, author of Thumbprint in the Clay"This is a thoughtful, remarkable book that will help evangelical Christians face their history of shunning modern art. As a convinced follower of Jesus Christ, Anderson lovingly laments the past evangelical practice of pitting binary opposites against one another: soul against body, word against image, church ministry against being an artist. Anderson shows how the millennia of church history and a fresh biblical stance can overcome these polarities. Through his writing, which is extremely well researched and gives evidence of many years of wide reading, he convincingly shows how visual culture can be central to piety and how artistry is a worthy occupation for believers. This work is exciting, people friendly, deeply faithful and wise."--Calvin Seerveld, professor emeritus of philosophical aesthetics, Institute for Christian Studies, Toronto"From the perspective of his longtime dual residency in both the modern art world and the evangelical church, my good friend Cam Anderson is uniquely qualified to lead evangelicals and artists to understand and love one another. As I encountered a wide range of modern art in his book (Manet, Monet, Newman, Rothko, Warhol, Pollock and many others) I experienced a sense of wonder at the power and elegance of work that I had not noticed or appreciated before. For Christians seeking an aesthetic adventure in the modern art world and for Christian artists working to fulfill their God-given vocation, this book provides excellent guidance from one who is a faithful Christian and a gifted artist."--Walter Hansen, professor emeritus of New Testament interpretation, Fuller Theological Seminary, author of commentaries on the New Testament, coauthor of Through Your Eyes"An engaging and carefully researched summation of where Christian faith and visual art have been and where they may be headed. Artists are invited to take a seat at a wedding feast where binary opposition withers and an enriched complexity emerges. Observing how conviction and restless longing coexist in 'the faithful artist, ' Anderson sets out to illuminate a way forward."--Lynn Aldrich, artist, Guggenheim Fellow"Cam Anderson's vision inspires, challenges and encourages me. He is wise about creativity, faithful about imagination and provocative about beauty. We are invited into a deeper humanity and a greater faithfulness to the Artist who made us. I am so grateful for this book and believe many other readers will be too!"--Mark Labberton, president, Fuller Theological Seminary

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About the Author

Cameron J. Anderson (MFA, Cranbrook Academy of Art) is an artist and the executive director of Christians in the Visual Arts (CIVA). Prior to joining CIVA, he served on the staff of InterVarsity Christian Fellowship for thirty years, most recently as the national director for graduate and faculty ministries. He lectures frequently on the arts, media, advertising and contemporary culture, and he coedited, with Sandra Bowden,

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Product details

Series: Studies in Theology and the Arts

Paperback: 283 pages

Publisher: IVP Academic (October 10, 2016)

Language: English

ISBN-10: 0830850643

ISBN-13: 978-0830850648

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#875,937 in Books (See Top 100 in Books)

I picked this book up in a bookstore, and got so engrossed reading it that I bought it. As I write, three people have given it five stars. Five people could give it three stars. One of the blurbs in the front of the book notes that the author has read a lot of books. What he takes from them is fascinating, but what is more fascinating is what he takes from his life, as lived at the collision of faith and art. Books like this always raise questions for me. Who is this book for? I'll answer that myself. i'd say it's for younger people who did not grow up in what he calls the post WW II Evangelical subculture. To the degree that he tells his own story, it's quite interesting. Where, in my opinion, books like this overreach is in cutting far too wide swaths and taking too great leaps of history. I think it is a mistake to be talking about modernism and then bring in postmodernism (without defining it), not bothering to note they are 100 years apart. Or to mention Walt Whitman and Jack Kerouac in the same sentence (who are also 100 years apart).It was inevitable that the author would resort to shop talk either on the Evangelical front or about the art scene. In this case, it's the latter. I wondered when he would bring in Marshall McLuhan, the Catholic Canadian media 'guru' who coined phrases like "The medium is the message". But when he did mention him, it was one sentence in passing, as if we all knew who he was (I'm guessing some of us don't). Perhaps he makes an appearance later on, but the first meeting is the best time for introductions. If you ask me why this book is like that, it's a problem of editing, which all recent books seem to have, and also because this book, like most good books is a series of essays. Publishers don't like essays, so they insist that the authors pad them and pass them off as a book. For myself, I'd rather the padding was pulled out and I could read the terse, gripping essays, however brief (and brief does not bother me-- would that this book was half as long).If someone were to stand in a store and read this (like I did), I'd suggest the chapter, "People of the Book and the Image" and probably the finale chapter. Now I play my hand. I'm a recent Catholic convert. The tortured tone that Evangelicals always have in writing about art is because they have no theology to support them. Catholics have sacramental theology. The seven sacraments are the primary means of grace, but they also view the entire universe and the realm of Creation sacramentally. Man may be fallen, but creation is still good. We are physical beings. Thus the candles, incense, stained glass windows, carved cruciifxes, and bouquets of flowers in Catholic worship.A book like this cannot help but retread ground, and I list a few companion books below. But what it offers is an exploration. There are numerous black and white photos of artworks, and a few color plates, not exactly to support a thesis by the author, but to bring the reader into the discussion on the same page, as it were. Also copious footnotes, both to reference works cited, and provide a helpful gloss to the text. There's a very good quote from Jaroslav Pelikan, for instance, in a footnote. The author is at his best in presenting us with an artwork or artist, and helping us to consider it or them from his own viewpoint or experience. The fire is strongest in this book when the artist in the author takes hold of the pen and beats down the academic (who he likely has to wrest it from).The subtitle of this book greatly resembles an excellent (and rather simpler) book by Steve Turner entitled "Imagine: A Vision for Christians in the Arts" also published by InterVarsity Press. My title for this review is the title of a book by British artist and musician, Steve Scott (who is also or has been a member of CIVA). As for the sacramental aesthetic, the very best writer on the topic was an Evangelical and became a Catholic, so his writing displays the best of both worlds. I refer to the inimitable Thomas Howard, author of many apologetics books, but I here refer to "Chance or the Dance" and "On Being Catholic".

The world of modern art, and the world of faith, particularly evangelical Christian faith have often been at odds with, or not even in conversation with each other. This is the challenge the author has wrestled with since his teenage years as an aspiring artist who embraced the evangelical faith in which he was raised. In the introduction, he describes his own struggle with the absence of mentors, the disregard of his church for the visual arts, and the parallel hostility toward religious faith he encountered in the art world.Much of this work explores the tensions between evangelical faith and modern art. Anderson contends that these collisions of faith and art may “reveal a third way, a great vista where biblical and theological reflection–especially the doctrines of creation and incarnation–become the wellspring of inspiration.” Each of his chapters includes models of this kind of biblical and theological reflection that serve, not to give definitive answers, but to point other artists who wrestle with the same tensions toward this “third way” in the practice of their art. Indeed, his conclusion is an invitation to both the church and artists to embrace this work, and for artists to give themselves as called people to the work of culture-making and good studio practice. He writes,“…the artists whom most of us deem to be successful share a common trait–they do the work. At some point they set romantic ideas about being an artist to the side and commenced doing the artist’s work. Arriving at this place requires one to accept delayed gratification, the awkwardness that is sure to come from making bad art and the reality of negative cash flow. Pushing beyond distraction and discouragement, they accomplished something Herculean–they pushed beyond musing and imagining to establish regular studio practices, to take on habits of making” (p. 252).Cameron Anderson is executive director of Christians in the Visual Arts (CIVA) and what he offers in this book is nothing less than an analysis of the recent history of the visual arts and the challenges and opportunities for Christians who are called to work in this field._______________________________Disclosure of Material Connection: I received this book free from the publisher . I was not required to write a positive review. The opinions I have expressed are my own.

Loved this book. This is a much needed historical perspective and interaction with art history alongside the Evangelical response to faith in this history and where we are now, but this book offers much more in terms of a freeing hope for artists to engage with all their sensibilities to create visual art within a Christian based worldview. Anderson finishes last chapters challenging artists of faith by asking 6 questions for reflection. There is wisdom from years of walking this road himself as an artist and academic. Highly recommend.

The Faithful Artist is far more than an exploration of issues Christians have encountered as they have intersected the visual art world in the last 50 years – although it is that. It is a tour de force of Western cultural in the late 20th and early 21st century. Anderson writes with insight and uses his broad knowledge of art and writing to raise thought provoking questions about taste, truth, beauty, faith, and the place artists have in shaping/making our world. I’m personally thankful for challenges the book had for me.

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File Size: 4374 KB

Print Length: 253 pages

Page Numbers Source ISBN: 0615949886

Simultaneous Device Usage: Unlimited

Publisher: Cleanan Press, Inc. (October 15, 2014)

Publication Date: October 15, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00OL0G630

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Amazon Best Sellers Rank:

#1,038,746 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

My shelf is full of books on Billy and the Lincoln County War, but this little volume provides some new research and illustrations. Glad I discovered it; glad I bought it.

If you are a history buff, an afectionado of the old west and its outlaws this is your book. Lynn will remove your certainty about Bill the Kid with her clear certainty about his uncertain past. Her well documented historical review of the available documentation and explanations of the possibilities rampant in New Mexico during Billy's time solidify the mysteries around Billy the Kid. One the west's mercurial figures.

Excellent book! Very well put together, great facts. I'm really amazed on how much work was put into it and the information it provides. I highly recommend it!

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PDF Download Disney Pixar Character Encyclopedia New Edition, by DK

Do you still have no suggestion with this book? Why must Disney Pixar Character Encyclopedia New Edition, By DK that ends up being the ideas? Everyone has various trouble in the life. Yet, related to the accurate informational and also understanding, they will certainly have exact same final thoughts, naturally based on facts and study. And also currently, just how the Disney Pixar Character Encyclopedia New Edition, By DK will provide the presentation regarding exactly what facts to always be mind will influent exactly how some individuals believe and remember about that trouble.

Disney Pixar Character Encyclopedia New Edition, by DK

Disney Pixar Character Encyclopedia New Edition, by DK


Disney Pixar Character Encyclopedia New Edition, by DK


PDF Download Disney Pixar Character Encyclopedia New Edition, by DK

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Disney Pixar Character Encyclopedia New Edition, by DK

Product details

Age Range: 7 - 9 years

Grade Level: 2 - 4

Hardcover: 224 pages

Publisher: DK Children; New edition (May 7, 2019)

Language: English

ISBN-10: 1465486429

ISBN-13: 978-1465486424

Product Dimensions:

7.2 x 9.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#41,059 in Books (See Top 100 in Books)

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PDF Download Gator Gumbo: A Spicy-Hot Tale, by Candace Fleming

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Gator Gumbo: A Spicy-Hot Tale, by Candace Fleming

Gator Gumbo: A Spicy-Hot Tale, by Candace Fleming


Gator Gumbo: A Spicy-Hot Tale, by Candace Fleming


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Gator Gumbo: A Spicy-Hot Tale, by Candace Fleming

Amazon.com Review

Old Monsieur Gator is very slow. He moves "slower than saw grass grows" and "slower than a snail with sore feet." He can no longer catch any of his tasty fellow bayou creatures to eat, "And--oh ho!--them critters sure know it." The possum, skunk, and otter taunt him, wiggling and sashaying just out of his reach. Finally, Gator gets hot (red hot) and hatches a crafty plan--he will make gumbo. When he asks who will help him, Little Red Hen-style, the creatures don't say "Not I," but "I ain't," (a reply more fitting for a Louisiana bayou). But when Gator finishes his okra and crawdad soup, and asks "Who' gonna help eat it?" the chorus chimes "Me! Me!" Gator agrees to let the otter, skunk, and possum take a sip, but when they lean over the pot, slurping and slipping, "Them animals go into the pot." A harsh fate for Gator's sassy tormenters? Perhaps, but revenge is downright tasty for Monsieur Gator. If all this bayou cooking (albeit with characters from the book as ingredients) gets your mouth a-watering, a recipe for "Maman's Spicy-Hot Gumbo" adorns the back cover of the book. Sally Anne Lambert (of Barkus, Sly and the Golden Egg captures the expressions of the tortured old gator and the taunting bullies with great skill, and her use of color and composition is no less than exquisite. A spicy-hot read-aloud, straight from the bayou. (Ages 5 and older) --Karin Snelson

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From School Library Journal

Kindergarten-Grade 3--This is a classic tale of contemptuous characters getting a well-deserved comeuppance, with a few interesting twists to spice up the dish. Poor Monsieur Gator is too old to catch his dinner, a fact that has not escaped his former prey--a possum, an otter, and a skunk. As he barely scrapes by on vegetables, the cruel animals tease him endlessly. Finally, Monsieur Gator decides to cook up some gumbo, "just like Maman used to make," and in a sequence straight out of "The Little Red Hen," he asks his tormentors to help him gather the ingredients. Of course they refuse to participate until the fragrant stew is ready and they gather around hoping for a taste. The wily old predator obliges by tricking them into the pot. Although Lambert's watercolors capture the general mood of the swamp, the absence of anything resembling palmetto fronds or moss-hung cypress trees is telling. Also, anyone who has ever cooked gumbo will immediately recognize that Monsieur Gator's recipe is way off base. Fortunately, the story flows well in spite of these slips and Gator ultimately accomplishes his goal. Both the story and the illustrations are well executed. For more authentic swamp scenes and Cajun critters, mix in anything by Tynia Thomassie, J. J. Renaux, or Sharon Arms Doucet.--Sean George, Memphis-Shelby County Public Library & Information Center, Memphis, TN Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Product details

Age Range: 4 - 8 years

Grade Level: Preschool - 3

Lexile Measure: AD520L (What's this?)

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Hardcover: 32 pages

Publisher: Farrar, Straus and Giroux (BYR); 1st edition (March 9, 2004)

Language: English

ISBN-10: 0374380503

ISBN-13: 978-0374380502

Product Dimensions:

8.9 x 0.4 x 11 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

33 customer reviews

Amazon Best Sellers Rank:

#181,599 in Books (See Top 100 in Books)

A great book by Candace Fleming that has all of the house saying “Just Like Maman used to make” anytime we eat anything that tastes good. The kids love the book and the art really compliments the story. Anything by Candace Fleming is worth a read and a buy! Her ability to storytell using history and, in this case, culture is incredible! Very grateful for her books!

I read this book to my classroom. It is a new take on a classic book. Students like the accent.

The language used (presumably authentic for the region) is very rich and it really sets the tone for the whole book.This is a version of the Little Red Hen where the not-helping animals are really rude instead of just lazy - and they get what they deserve when, after begging for Just One Taste, they fall right in the pot!A few notes that struck me as odd, though many kids would probably not notice. First, the animals go into the pot without being skinned or even taking off their clothes. Uh, ew? And second, they fall in of their own accord - the gator doesn't help them in any way, they're just that greedy. That's a little weird to me. I understand why it was done, but I would've expected some sign that the alligator pushed them or something. *shrugs*Really funny book, nice set-up to a great ending, though.

Great book to add to our grandson's library.

Very funny story told in a "cajun" sort of way. My 2 yr old listens to this book all the way through and loves it. Great story for anyone just looking for a funny book for their family.

Wonderful adaptation of the traditional story of karma biting those who expect something for nothing, but instead of not just receiving some of the gator's gumbo....the other animals become a part of it!

Being from Louisiana I love to find books to read to my little ones that have to do with Louisiana and things in our culture.. I love this book as much as my little ones do.. Very cute critters and a cunning alligator, what's not to love about it!!!

This book is a family favorite. It's funny, and one can't help but cheer for the clever, old Gator. We bought one for our grandson as well as for our young daughter.

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